“Moser tells stories like the best of them, in her words and in her music; every scene she sets so rich and crucial.”
“Anger is the dominating force on Cheer”
“No band has articulated those moments of glorious, empowering nihilism as well as The Nil’
“At just 32 minutes long, Bay Dream passes by in a heartbeat and gets better with each listen. “
“…the perfect marriage of punk and pop, with an effortless flair that continues to separate them from pop-punk as a genre”
“Prequelle is the crowning achievement Ghost have been striving towards’
“Nothing But Love is exactly what its name describes, full of unflinching love for both self and friends”
“…while it’s a genre album with universal themes, it’s also a monolithic slab of art in its own right”
“There’s a dichotomy in the way that this album lifts you up so high just to crush you with painfully helpless lyricism”
Paris Fawcett chats to Justine Jones about Employed To Serve, Holy Roar records, and her role in the Great UK Metal Revival
Kristy Diaz talks to Ava Trilling about the tribulations of trying to create art across state lines
Mia Hughes gets to grips with the fifth record from Joyce Manor
Rob Mair speaks to Retirement Party’s Avery Springer about moving to Chicago to start a ‘real’ band and unloading her mind onto that band’s new record.
Matt Pryor reflects on TGUK’s legacy, their place in modern-day emo, and their brilliant new EP Kicker.
Mia Hughes gives her take on PA singer/songwriter Kiley Lotz’ second full-length under the Petal moniker.
Rich Hobson talks to Zeal & Ardor’s Manuel Gagneux about the new record, and pissing off black metal purists.